UNPREDICTABLY MOVING


     What makes Gensan Punch (Max Original, Center Stage Productions, Gentle Underground Monkeys Co., Ltd., SC Film International, 2021) so unpredictably moving is that Brillante Ma Mendoza takes the go-for-it clichés and invests them with genuine feeling and individuality. Working in a broad-stroke genre enables Mendoza to tear into charged emotional subjects without hemming and hawing. He’s got a diviner’s sense for deriving palpable drama from what remains unseen beyond the frame or in the characters’ heads. One of the movie’s most memorable image is Rudy (Ronnie Lazaro) and Nao (Shogen) facing each other in a workout and swaying in synch, from the waist up. Lazaro has never been more powerful than he is here, but even when the movie dips into tear-jerking, Lazaro doesn’t give into sentimentality. Shogen's raw honesty and ardor set the stakes very high. Even when Gensan Punch threatens to fall into show-off virtuosity, Mendoza keeps his balance. The movie ends with a lovely coda. When Mendoza is in top gear, he pulls you into the action psychologically and viscerally. He choreographs Nao’s fight into a single shot, after the camera swerves to take in Rudy’s imprecations, it immediately swings back to show their impact on Nao. At moments like that, Mendoza's precocity takes our breath away.

     Gensan Punch looks fine on high definition with a few caveats. Source noise can spike with occasional bursts of thickness that reaches a level of annoyance, particularly in lower light scenes. Banding is a much smaller and barely noticeable concern. The digital video source is a little flat and edges of the frame occasionally appear smudgy rather than sharp. Flesh tones range from pasty to warm. That said, the image generally impresses. The digital shoot does allow for a fairly rich color palette, occasionally feeling a little dull and diluted but finds a more vibrantly sustained feel elsewhere, whether out on the streets of Gensan or in the boxing ring. Detail satisfies, with skin textures appearing nicely intimate and clothing textures sharp and naturally complex. Black levels hold deep and accurate. The lossless soundtrack is certainly not timid. It's very aggressive and loud, perhaps lacking finesse at its most vigorous but offering enough sonic activity to satisfy. Boxing matches are noticeably enthusiastic and complex with roaring crowds, heavy punches, microphone reverberations at introduction and chatter in the corners between rounds all vying for attention but with the most critical pieces always finding the right amount of prioritization above the din. Music is aggressive while tunes regularly spill into the back but always maintain a command of balance throughout. Dialogue is clear and front-center focused. Performances are exceptional and the fight scenes, very well composed and executed. HBO Max’s presentation of Gensan Punch delivers good video with very aggressive audio.


Directed By: Brillante Ma Mendoza

Screenplay: Honee Alipio

Director of Photography: Joshua A. Reyles

Production Designer: Dante Mendoza

Editors: Ysabelle Denoga, Armando Lao, Peter Arian Vito

Musical Director: Diwa de Leon

Sound: Mike Idioma, Alex Tomboc, Deo Van N. Fidelson