Lino Brocka, a tireless cinematic champion of the underdog has marched under this banner from the start. He plies his viewers with plenty of scenes in which characters debate the finer points of syndicalist strategy, but he also scatters petals of whimsy to nourish the senses. In Bayan Ko Kapit sa Patalim (Malaya Films, Stephan Films, 1984), there is a passionate discussion in which the laborers debate the pros of union membership. There are also several tense arguments about the conflicting demands of family security and worker solidarity. As if to balance these moments, there is also Phillip Salvador in the role of Arturo "Turing" Manalastas and Gina Alajar as his wife, Luz whose performances transform the film into a vital and complex piece of political art. Brocka maintains a humble respect for his characters and an unsentimental eye for the difficulties they face. While unequivocally on the side of the union, Brocka’s keen sense of contradiction and storytelling keeps his propagandistic impulses in check. As a result, the film makes a powerfully persuasive case and gives way to the gloom and frustration of summary firings and workplace abuse.
The new 4K restoration of Bayan Ko Kapit sa Patalim is simply fantastic. Detail and especially image depth are enormously impressive. The blockiness and sharpening have been replaced with flawless contrast and at times truly overwhelmingly beautiful blacks and whites. The problematic nighttime footage also looks excellent. Shadow definition and clarity are dramatically improved in every single sequence. Furthermore, there are absolutely no traces of problematic lab tinkering. Naturally, the high-quality grain scan is evenly distributed throughout the entire film. Color depth and saturation, especially where there is plenty of natural light are also terrific. There are absolutely no debris, scratches, cuts, warps or larger damage marks. I watched Bayan Ko Kapit sa Patalim with the Tagalog DTS-HD Mono Audio. The dialogue is crisp, clear, stable, better balanced and easy to follow. Le Chat qui Fume's restoration of Lino Brocka's Bayan Ko Kapit sa Patalim, one of Philippine Cinema's masterpieces is enormously impressive. Beautifully restored in 4K the film looks astonishingly good, the best it ever has.
Direction: Lino Brocka
Screenplay: Jose F. Lacaba
Director of Photography: Conrado Baltazar
Production Design: Joey Luna
Film Editor: George Jarlego
Music: Jess Santiago
Sound: Rudy Baldovino, Willie Islao
