For writers Ricky Lee and Shaira Mella-Salvador, May Nagmamahal sa Iyo (Star Cinema Productions, Inc., 1996) seems like an occasion to tweak familiar formulas, as they exhibit a compulsive need to distance themselves from the story’s intrinsic sentimentality. For director Marilou Diaz-Abaya, it’s a chance to play up that same sentimentality, underscoring emotional moments with excessive bathetic flourishes. Working at cross purposes, these two sides make for a fractious movie whose internal conflicts mirror those experienced by its lead. Lorna Tolentino stars as Louella, a woman who gave up her son for adoption. Years later, still wrestling with that part of her past, she has become curious about her son's whereabouts. Louella confides in Nestor (Ariel Rivera), who offers to help, as she begins the journey of discovery. Louella shows the strain of life in her face. Carved in tense gaze is the need to find her son and the redemption he holds. The screenplay allows each to share their feelings and Abaya brings us close enough for us to feel the world in their skins. She is able to treat her subject evenhandedly without letting the film turn bland.
May Nagmamahal sa Iyo features a deeply felt and gripping performance from Tolentino and a supporting performance from Jaclyn Jose, equally brilliant as Edith, that reminds us just how wonderful this actress has been throughout her career. Just a momentary gaze is enough to convey what many actors spend whole hours in a film not conveying. Jose brings such believable anguish to her part of the story that May Nagmamahal sa Iyo almost survives its biggest problem, which is the impossibility of a viable ending. While the movie sets up the plot catering to our need for nice, neat, and orderly boxes, the story weaves in and out of them, upending our conventional views and presenting us with more questions that drive us further into the narrative. This perfectly mirror's Louella's frustration as she encounters roadblocks in her journey. In fact, this arc is the one most powerfully portrayed in the film by Tolentino as she vacillates the pain she feels. It is the driving force for her search, and the means by which she finds resolution. The fact that we all have weaknesses and identify in the struggles, hopes and journeys of others is more indicative of the need for such stories so that we might find the strength to rise up and pursue life's greater aims. These are the film's broad strokes, and they are all true. They will make you angry, and tear your heart to pieces.
Sound Engineer: Ramon Reyes
Production Design: Merlito "Len" Santos, P.D.G.P.
Editor: Jess Navarro, F.E.U.P.
Musical Director: Nonong Buencamino
Screenplay: Ricky Lee, Shaira Mella-Salvador
Directed By: Marilou Diaz-Abaya
